Feb 4 to March 12
Feb 4 to March 12
Feb 4 to March 12
Video "The Memory of the Snails" part of the program.
Video still of "The Memory of the Snails"
La Universidad Nacional de Tres de Febrero llevará este mes a la ciudad de Madrid la muestra"Ejercicios de Memoria", con piezas de artistas argentinos y chilenos que reflexionan sobre el golpe militar en la Argentina, en Casa de América.
News paper: Nueva Ciudad
Opening: Sunday, 11 December, 5pm
Henri Chopin, Danica Dakić, Edgar Endress/Lori Lee/Chris Rackley, Noa Eshkol, Nilbar Güreş, Rana Hamadeh, Dóra Maurer, Hansjörg Mayer, Falke Pisano, Hannah Weinberger
The editions will be presented from 13 December 2016 until 8 January 2017 at the Badischer Kunstverein, Karlsruhe. The editions are available for purchase to members of the Badischer Kunstverein.
December 2,3 and 4 2016
Buenos Aires Argentina
Floating Lab Collective project
Drawings by Chris Rakley
The Occupy the Future stage is being created by DC’s Floating Lab Collective. Their design takes inspiration from Michelangelo’s Sistine Chapel, reimagining the visual metaphors for social progress found in the great Renaissance work as key figures, movements and symbols of contemporary social change. Created specifically for the historic Lincoln Theatre, the design will celebrate Pussy Riot, Occupy, Hong Kong’s Umbrella protests, Black Lives Matter, the three finger salute in Thailand, and others acts of resistance from around the world.
CATCHING THE AXIS –
Between the Sky and the Earth
Dates: 22 August – 20 September 2016
LAM 360° is a biennial art festival located in Mongolia. LAM focuses on Land Art as a form of spatial visualization of the relations between nature, culture and social policies.
N. Amarsaikhan (Mongolia), D. Batkholboo (Mongolia), R. Chinzorig (Mongolia), T. Enkhbold (Mongolia), G. Enkhjargal (Mongolia), Lkh. Gankhuyag (Mongolia), M. Munguntsetseg (Mongolia), B. Munhksetseg (Mongolia), Lisa Batacchi (Italy), Edgar Endress (Chile/USA), Zhen + Qiang Gao (China), Severin Guelpa (Switzerland), Erica Masuya (Japan), Pekka Niityvirta (Finland), Camille Norment (Norway/USA), Romina Novellis (Italy), Benjamin Sabatier (France), Marc Schmitz (Germany), Jacek Tylicki (Poland/USA), Herman de Vries (Netherlands/Germany), Mabelle Williams (Haiti).
Art Radar Journal / link
BOZAR / CENTRE FOR FINE ARTS / Brussels, Belgium
Cities in both Latin America and in Europe have become major global actors and strategic territories where tremendous social, political, economic, environmental and cultural changes are currently taking place. Both the EU and Latin America witness a myriad of public and private examples to regenerate public spaces and local communities. In that framework, culture and creativity can offer new perspectives and alternatives to challenges raised by social exclusion and urban development. This debate will discuss how the EU and Latin America can jointly address these issues to forge more inclusive and resilient cities.
The open debate follows a one-day experts’ seminar at BOZAR organized, jointly with Interarts, in the framework of the EU project ‘Culture and arts supporting social cohesion in Latin American cities - LAIC’ funded by the European Commission.
Moderator: Mercedes Giovinazzo, Interarts
Strange Landscapes is co-curated by Blair Murphy, independent curator and partner at Field Projects in New York, and Karyn Miller.
Opening: June 25 - October 2
Hyperallergic review by Alexis Clements / link
City Paper review by Erin Devine / link
The Creator Project blog / review
Washington Post Review / link
I will have the video: "How to Make it Rain" and the series of Prints "Santos" as part of the exhibit.
Photos by: Dawn Whitmore
APRIL 7 2016
This event, hosted by Second Stage Amherst, is to discuss opportunities and tools available to cultivate Amherst’s economy based on the region’s natural, creative, cultural and human assets, driving economic opportunities in our community.
Olly Olly Gallery, Fairfax VA.
Exhibit "Domestic Territories"
Curator: Sarah Irvine.
Northern Virginia Magazine article / link
For Jouet Guidant le Peuple, I used children’s toys as a form of demarcation in the gallery because this is how my son, Ian, defines his personal space in his room. For him, toys become a source of emancipation and a passage into a new persona that leads to independence, growth and new knowledge. In the context of the gallery, I am used the toys to claim space, but they are on the ceiling. This rethinks the concept of creating territory for an individual, and transforms the conversation into a discussion about mass consumption, the plastic material of the toys and consumerism.
10 days residency in the Virginia Center for the Creative Arts, organizing the Creative Community Summit in Amherst.
Friday, November 13, 2015, 3:00 – 6:00 pm
Katzen Arts Center, Abramson Family Recital Hall
4400 Massachusetts Ave NW, Washington, DC 20016
It has become an assumption and a habit that complex arts activities require permanent organizations, corporate structures, and exclusive choices between for-profit or not-forprofit. But creative people are questioning that assumption, and breaking that habit. American University's Arts Management Fall Colloquium explores the options beyond traditional organizations for aligning creative people, money, and stuff over time.
Group exhibit / October 29, 2015 to November 20, 2015
Project Land's End in Collaboration with Chris Rackley.
4 digital prints
Gallery, School of Art
George Mason University
Article in the City Paper
In ‘Unfriendly Skies,’ Bird Art Doubles as Environmental Message / link