project / series nº1: the Institution of Oblivion at Molaa/Getty Pacific Standar Time program

A collaboration between Adler Pierre, Calicien Banel, Office of Human Rights Haiti and Edgar Endress with incarcerated Haitians.

Relational Undercurrents: Contemporary Art of the Caribbean Archipelago, curated by Tatiana Flores, is MOLAA’s Pacific Standard Time: LA/LA exhibition

September 16, 2017 - February 25, 2018

Links:

Museum Of Latino American Art (MOLAA)

Pacific Standard Time: LA/LA

Read an overview of the exhibition by Julia P. Herzberg in Arte Al Dia:

And additional articles:

http://artishockrevista.com/2017/10/17/tatiana-flores-relational-undercurrents-caribe/

http://palaciomagazine.com/tatiana-flores/

http://www.dailynews.com/2017/09/12/everything-you-need-to-know-about-pacific-standard-time-lalas-celebration-of-latin-american-and-latino-art-culture-and-music/

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Edgar Endress
Edgar Endress, Founder of Floating Lab Collective. Edgar Endress is a George Mason University assistant professor teaching new media and public art. Born in Chile, he has exhibited extensively throughout the Americas, most recently in Medellin, Colombia. In 2007, in association with Provisions, he initiated the Floating Lab Collective, a team of interdisciplinary artists who deploy innovative art projects in collaboration with urban communities. His work focuses on syncretism in the Andes, displacement in the Caribbean, and mobile art-making practices. He received his MFA in Video Art from Syracuse University. He has received numerous grants and fellowships, including from the Virginia Museum of Fine Arts and the Creative Capital Fund.
eendress.com
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lecture about "Border, Displacement and Memory"

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Project The Mask of Shoeshiner and Hotel Las Americas in exhibit Duty of Care