Edgar Endress Edgar Endress

Residency / public speaking

This research field project aims to create cultural, social, and economic sustainable networks in different rural territories of Southern Italy, such as Valfortore, Irpinia, and Valle Caudina. It is run by Interferenze's new arts festival.

https://www.facebook.com/liminaria/

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Edgar Endress Edgar Endress

February - April news

 

Project “Things we Lost in the Fire / Ledger” at Art Paris, France 

Represented by Gallery Dilecta.

ART PARIS 2022. 07 - 10 April GRAND PALAIS ÉPHÉMÈRE

 

https://eendress.com/index#/things-we-lost-in-the-fire-ledger/

https://www.artparis.com/en/artist/107687

 

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Project “Taxonomy of Breathing”

Commissioned by Journal ARTMargins 10.3 / Anniversary Issue

MIT Press 

 

More information about Taxonomy of Breathing at: 

https://www.taxonomyofbreathing.com

https://www.iceboxcollective.studio

 

Journal Art Margins has now made the entire content of the ARTMargins Anniversary issue available online: https://direct.mit.edu/artm/issue/10/3

 

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Video “Acts of Relocating”, to be projected into the pavilion façade.

Commissioned by the European Union pavilion for SXSW.

South by South West / SXSW

Austin Texas March 12 -14

 

 

 

 

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Video " Hatajo / Flock" at FIVA 10

FIVA TENTH EDITION / International Festival of Video Art

09, 10, 11 and 12 December Centro Cultural Gral. San Martín,

Ciudad de Buenos Aires, Argentina.


http://fivafestival.com

Hatajo / Flock

a video produced by Simone and Edgar Endress

Is a short experimental video, recorded in collaboration with poet and decismista: Daniel Ruben Valenzuela (aka Piturro) and the music and dance group Malemba Zapateo in El Carmen – Peru. "Flock"  is a short video portrait of Zapateo; a manifestation originated as a form of resistance responding to oppressive historical experiences of an often marginalized group.
The “Hatajo de negritos” dance are traditional Afro-Peruvian expressions from the southcentral coastal department of Ica. A predominantly rural area congregate of one of the largest concentrations of Afro-Peruvians in the country. Although Peruvians of African descent are a minority within their country, their culture has had a tremendous impact.
Zapateo, with some distant elements similar to tap dancing, displays a complex pattern of footwork that uses the feet to create percussion, and historical response to drums been banned during the time of slavery.

 

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Article Magazine Arte Al Limite

Article Magazine Arte Al Limite / page 126

special thanks Rofa Project

"Una de las temáticas abordadas por diversos artistas, en la edición n°96 de la revista, es la memoria. Isca Greenfield a través de la pintura, mientras que Irene González y Linet Sánchez mediante el dibujo en blanco y negro, generan cuestionamientos sobre nuestra forma de recordar, la manera en que almacenamos información ya sea a través de construcciones difusas, del entorno o de situaciones puntuales que hemos vivido.

bi-monthly Spanish/ English-language magazine which focuses on trends in contemporary art.

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Edgar Endress Edgar Endress

In Residency at the Dora Maar House

Located in Menerbes, South of France 

link / https://www.facebook.com/doramaarhouse/

Until the end of July in Residency in the Dora Maar House, (Brown Foundation Fellows Program).

 

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Exhibit project "Dominion" in Exhibit "Animism"

Project "Dominion" on view at Studio Walsh on St. Croix USVI

June 15 to 23

Project link

Art Exhibition on St. Croix Explores Animals and the Colonial Imagination | St. John Source

Cows, mongooses, deer, donkeys and horses are just some of the animals brought to the Virgin Islands through the process of colonization. "How and why were they brought here?" wonders St. John-based artist Janet Cook-Rutnik. "What do they mean in our society today, and how are they intrinsically bound to anxieties about race and migration?"

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Edgar Endress Edgar Endress

Article Narrative Machine (Robotic Instrument) / North Virginia Magazine

Project Collaboration with Daniel Lofaro

link project

 

GMU professors are creating an electrical symphony

Engineers and artists at GMU are combining to create a unique sound. At first glance, it's easy to think of Frankenstein's monster when you look at one of the robotic instruments crafted by George Mason University's Dr. Dan Lofaro and Edgar Endress for their Narrative Machine project.

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Edgar Endress Edgar Endress

Speaking at Panel discussion / The Future of Public Space,

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Panel discussion The Future of Public Space,

The panel Tuesday, June 19th at the West End Library in D

Panel in support of The Future of Public Space, the latest volume SOM Thinkers book series. 

These volumes seek to inspire critical debate about the social, ecological, economic and political dimensions of the built environment. 

Organized by Publications team at the architecture firm Skidmore, Owings & Merrill LLP (SOM). 

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Edgar Endress Edgar Endress

Recipient Dora Maar Fellowship 

Sketch Project

Sketch Project

Recipient Dora Maar Fellowship

Dora Maar House in Ménerbes, FranceJuly 2018

The Brown Foundation Fellows Program, based at the Dora Maar House in Ménerbes, France, provides residencies of one to three months for mid-career professionals in the arts and humanities to concentrate on their fields of expertise.

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Edgar Endress Edgar Endress

Project "Institution of Oblivion" touring /

The Institution of Oblivion is a multidimensional collaboration established with the Office of Human Rights in Haiti and is concerned with the inhumane pre-trial detention of inmates. Haiti’s judicial system lacks the right of habeas corpus, which requires a person under arrest to be brought before a judge. Individuals accused of a crime fall victim to a precarious system, often descending into institutional oblivion with no legal recourse. Haiti’s legal and prison system is an overt expression of the country’s underlying economic disparity, emphasized by the fact that the entire state system is administered in French while the majority of people speak Haitian Creole. 

“Petite Papier” are notes written on whatever available paper that inmates hand to visitors, lawyers, or anyone exiting the prison, screaming for recognition of their existence and their rights, a message-in-a -bottle seeking anything that might bring hope and salvation.

Institution of Oblivion part of Relational Undercurrents: Contemporary Art of the Caribbean Archipelago.

The exhibit will travel to five venues from now until the fall of 2019 

Project supported by the Getty Foundation Pacific Standard Time 

Below please see the travel schedule for Relational Undercurrents: Contemporary Art of the Caribbean Archipelago. 

 

SUMMER 2018

May 31 – September 23, 2018

The Miriam and Ira D. Wallach Art Gallery

& Sugar Hill

Columbia University, NYC 

 

FALL 2018

October 13 2018 – January 13, 2019

The Patricia & Phillip Frost Art Museum 

 

SPRING 2019

Portland Museum of Art 

 

SUMMER 2019

June 22 – September 8, 2019

Delaware Art Museum

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