Edgar Endress Edgar Endress

Project commissioned by the Goethe Institute DC

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DICTIONARY OF MARX: A MULTIMEDIA BIRTHDAY ANNIVERSARY

https://www.goethe.de

Curated by John Feffer

On May 5th, Marx’s 200th birthday, the one-time-only multimedia experience, Dictionary of Marx, gives you the chance to reencounter the work of the German economic philosopher Karl Marx. A dozen of Washington, DC’s most engaging presenter-performers will come together at the Capital Fringe Theatre responding to key words from the Marxist lexicon in a series of artistic interpretations.

Revolution/ A collaborative effort

Concept: 

  • Edgar Endress
  • Henry Mills
  • Silvana Straw

Performance:

  • Henry Mills

Video production

Camera:

  • Hatum Cesar Saenz Painemilla

Production:

  • Layla Alshaer
  • Jennifer Crewalk
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Panel Moderator / Challenging Colonialism in Contemporary Art

Mexican Cultural Institute, Washington DC

 Wednesday, March 21st


PANEL OVERVIEW: Transformer continues our ongoing FRAMEWORK Panel Series with FRAMEWORK Panel #27: Challenging Colonialism in Contemporary Art. This panel will highlight emerging artists challenging commonly held notions of how their identities have been defined through colonialism, history, and popular culture. 

This panel is presented in conjunction with Transformer’s Spring exhibition, Queer Tropics - a group exhibition that considers the abstract idea of the tropics and how that vision has been variously created, reinforced, and confronted. Originally opened in November 2017 at Pelican Bomb Gallery X in New Orleans, Queer Tropics features artworks that examine the visual and cultural systems through which one imagines the landscape of the tropics as a site of leisure, sensuality, and play.

 PANELISTS:

 Carlos MottaAdrienne TarverDulcina Abreu, Hoesy Corona

 

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Participating in Transcultural Exchange / Quebec CA

Making Public Art Now
Location: Morrin Centre’s College Hall, Quebec Canada
Moderator: Sarah Tanguy, Curator for the Art in Embassies, U.S. Department of States, Independent Curator and Arts Writer
Tom Ashcraft, Artist and Founding Member of the Workingman Collective
Tara Lapointe, Director of Outreach and Business Development, Canada Council for the Arts
Ashley Molese, Curator, Creative Producer and Festival Manager
Edgar Endress, artist George Mason University

FRIDAY, FEBRUARY 23rd, 2018

http://transculturalexchange.org

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Celestial Emporium

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Celestial Emporium, on view from January 16 — February 17, 2018.

MORE INFO: http://www.jmu.edu/dukehallgallery/exhibitions-current.shtml

Duke Hall Gallery of Fine Art hours are: 
James Madison University

Harrisonburg, VA USA

Celestial Emporium includes the collaborative projects with:
Pepe Coronado, Adler Pierre, Calicien Banel, Office of Human Rights Haiti, Marcos Moreno, Narda Zapata, Chris Rackley and Brooke Marcy.

 

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How to Make It Rain at Addis Video Art Festival (AVAF)

2nd Edition International Video Art Festival/ 

Dec 24 2017 - Jan 03 2018

Addis Video Art Festival intends to provide a platform for innovative video art in Addis Ababa, Ethiopia. The festival will screen throughout the city in a variety of locations including street corners, rooftops, public centers and art centers. By sharing video art in both conventional and non-conventional settings, the festival will reach both the artist community and the everyday passerby. The festival aims to create a dialogue between local, and international artists by encouraging digital media culture.

http://www.addisvideoartfestival.net/about.ht

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project / series nº1: the Institution of Oblivion at Molaa/Getty Pacific Standar Time program

A collaboration between Adler Pierre, Calicien Banel, Office of Human Rights Haiti and Edgar Endress with incarcerated Haitians.

Relational Undercurrents: Contemporary Art of the Caribbean Archipelago, curated by Tatiana Flores, is MOLAA’s Pacific Standard Time: LA/LA exhibition

September 16, 2017 - February 25, 2018

Links:

Museum Of Latino American Art (MOLAA)

Pacific Standard Time: LA/LA

Read an overview of the exhibition by Julia P. Herzberg in Arte Al Dia:

And additional articles:

http://artishockrevista.com/2017/10/17/tatiana-flores-relational-undercurrents-caribe/

http://palaciomagazine.com/tatiana-flores/

http://www.dailynews.com/2017/09/12/everything-you-need-to-know-about-pacific-standard-time-lalas-celebration-of-latin-american-and-latino-art-culture-and-music/

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Edgar Endress Edgar Endress

Project The Mask of Shoeshiner and Hotel Las Americas in exhibit Duty of Care

CAI / The Collective Arts Incubator

The Collective Arts Incubator is present Duty of Care, a group exhibition in various media by an international trio of artists; Max King Cap (USA), Edgar Endress (Chile), and Nuttaphol Ma (Thailand). Examining our social and political obligations to our fellow citizens—and the manifold ways in which we shirk this duty—the artists in Duty of Care document, enact, and embody our responsibilities and failings.

Organized by Jennifer Vanderpool and Ciara Ennis

https://collectiveartsincubator.com

The Mask of Shoeshiner documents / link project 

The Mask of Shoeshiner documents / link project

 

Hotel Las Americas / mapping violence (beta map in collaboration with Victoria Sacco) / project link

Hotel Las Americas / mapping violence (beta map in collaboration with Victoria Sacco) / project link

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project Santos at Peale Museum

Birdland and the Anthropocene Exhibition curated by Lynne Parks

October 6-29, 2017

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In this group show at The Peale and related programs in Baltimore’s schools and communities, curator and Baker Prize-winning artist, Lynne Parks, invites us to consider how our city’s architecture and the built environment impact the natural ecosystems in the Anthropocene, the new geological era in which human activity has dramatically altered the Earth through climate change and other influences.

links:

Peale Museum link

Review / Bmoreart.com

Review / The Darkroom, the photography and video blog of The Baltimore Sun.

Download catalog / link

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FUSO 2017 ANUAL DE VÍDEO ARTE INTERNACIONAL DE LISBOA 22 a 27 AGOSTO de 2017

Video " How to Make it Rain", curated by Jorge La Ferla

FUSO 2017
ANUAL DE VÍDEO ARTE INTERNACIONAL DE LISBOA-Portugal
22 a 27 AGOSTO de 2017

Programa Jorge La Ferla
. Diego Lama (Peru) | The Act, 2012, 3´36´´
. María Paz Encina (Paraguai) | Familiar, 2014. 9´
. Gerardo Suter (Argentina/México) | Caja Negra, 2017, 8´30´´
. Edgar Endress (Chile) | Como hacer llover, 10´
. Claudia Aravena Abughosh (Chile) | Once de septiembre, 2002, 5´30´´
. Florencia Levy (Argentina) | Paisaje para una persona, 2014, 8´16´´
. Alfredo Salomón (México) | Tensa Calma, 2008, 8´31´´
. Andrés Denegri (Argentina) | Uyuni, 2008, 8´18´´

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Project Santos at Rivermont Studio, Lynchburg VA

A multidisciplinary project that address issues of representation: colonialism, post-colonialism, race and power. "Santos" subvert found debris that were originally manufactured to frame an idea of the "other", using an interpretation of the "mestizo Baroque" as reference of re claiming narrative. 

Feb 4 to March 12

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"Ejercicios de Memoria", In Casa de América, Madrid Spain

Video "The Memory of the Snails" part of the program.

Video still of "The Memory of the Snails"

La Universidad Nacional de Tres de Febrero llevará este mes a la ciudad de Madrid la muestra"Ejercicios de Memoria", con piezas de artistas argentinos y chilenos que reflexionan sobre el golpe militar en la Argentina, en Casa de América.

News paper: Nueva Ciudad

 

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Collaborative Book // The History of Black Rice and Princess Pig

Edgar Endress /Lori Lee/ Chris Rackley (drawings)

At the Badischer Kunstverein, Karlsruhe, Germany

13.12.2016–08.01.2017
Opening: Sunday, 11 December, 5pm

Exhibition // Editions 2016/2017

Henri Chopin, Danica Dakić, Edgar Endress/Lori Lee/Chris Rackley, Noa Eshkol, Nilbar Güreş, Rana Hamadeh, Dóra Maurer, Hansjörg Mayer, Falke Pisano, Hannah Weinberger

The editions will be presented from 13 December 2016 until 8 January 2017 at the Badischer Kunstverein, Karlsruhe. The editions are available for purchase to members of the Badischer Kunstverein.

Page from book

Page from book

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Edgar Endress Edgar Endress

Comission Creative Time Summit Stage /

http://creativetime.org/summit/dc-2016/special-projects/

Floating Lab Collective project

Drawings by Chris Rakley

The Occupy the Future stage is being created by DC’s Floating Lab Collective. Their design takes inspiration from Michelangelo’s Sistine Chapel, reimagining the visual metaphors for social progress found in the great Renaissance work as key figures, movements and symbols of contemporary social change. Created specifically for the historic Lincoln Theatre, the design will celebrate Pussy Riot, Occupy, Hong Kong’s Umbrella protests, Black Lives Matter, the three finger salute in Thailand, and others acts of resistance from around the world.

http://www.artnews.com

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