La Escuela Superior de Diseño ESDi
Friday October 20, 2017
A collaboration between Adler Pierre, Calicien Banel, Office of Human Rights Haiti and Edgar Endress with incarcerated Haitians.
Relational Undercurrents: Contemporary Art of the Caribbean Archipelago, curated by Tatiana Flores, is MOLAA’s Pacific Standard Time: LA/LA exhibition
September 16, 2017 - February 25, 2018
Read an overview of the exhibition by Julia P. Herzberg in Arte Al Dia:
And additional articles:
CAI / The Collective Arts Incubator
The Collective Arts Incubator is present Duty of Care, a group exhibition in various media by an international trio of artists; Max King Cap (USA), Edgar Endress (Chile), and Nuttaphol Ma (Thailand). Examining our social and political obligations to our fellow citizens—and the manifold ways in which we shirk this duty—the artists in Duty of Care document, enact, and embody our responsibilities and failings.
Organized by Jennifer Vanderpool and Ciara Ennis
Birdland and the Anthropocene Exhibition curated by Lynne Parks
October 6-29, 2017
In this group show at The Peale and related programs in Baltimore’s schools and communities, curator and Baker Prize-winning artist, Lynne Parks, invites us to consider how our city’s architecture and the built environment impact the natural ecosystems in the Anthropocene, the new geological era in which human activity has dramatically altered the Earth through climate change and other influences.
Peale Museum link
Review / Bmoreart.com
Download catalog / link
Video " How to Make it Rain", curated by Jorge La Ferla
ANUAL DE VÍDEO ARTE INTERNACIONAL DE LISBOA-Portugal
22 a 27 AGOSTO de 2017
Programa Jorge La Ferla
. Diego Lama (Peru) | The Act, 2012, 3´36´´
. María Paz Encina (Paraguai) | Familiar, 2014. 9´
. Gerardo Suter (Argentina/México) | Caja Negra, 2017, 8´30´´
. Edgar Endress (Chile) | Como hacer llover, 10´
. Claudia Aravena Abughosh (Chile) | Once de septiembre, 2002, 5´30´´
. Florencia Levy (Argentina) | Paisaje para una persona, 2014, 8´16´´
. Alfredo Salomón (México) | Tensa Calma, 2008, 8´31´´
. Andrés Denegri (Argentina) | Uyuni, 2008, 8´18´´
A multidisciplinary project that address issues of representation: colonialism, post-colonialism, race and power. "Santos" subvert found debris that were originally manufactured to frame an idea of the "other", using an interpretation of the "mestizo Baroque" as reference of re claiming narrative.
Feb 4 to March 12
Video "The Memory of the Snails" part of the program.
Video still of "The Memory of the Snails"
La Universidad Nacional de Tres de Febrero llevará este mes a la ciudad de Madrid la muestra"Ejercicios de Memoria", con piezas de artistas argentinos y chilenos que reflexionan sobre el golpe militar en la Argentina, en Casa de América.
News paper: Nueva Ciudad
Edgar Endress /Lori Lee/ Chris Rackley (drawings)
At the Badischer Kunstverein, Karlsruhe, Germany
Opening: Sunday, 11 December, 5pm
Exhibition // Editions 2016/2017
Henri Chopin, Danica Dakić, Edgar Endress/Lori Lee/Chris Rackley, Noa Eshkol, Nilbar Güreş, Rana Hamadeh, Dóra Maurer, Hansjörg Mayer, Falke Pisano, Hannah Weinberger
The editions will be presented from 13 December 2016 until 8 January 2017 at the Badischer Kunstverein, Karlsruhe. The editions are available for purchase to members of the Badischer Kunstverein.
December 2,3 and 4 2016
Buenos Aires Argentina
Floating Lab Collective project
Drawings by Chris Rakley
The Occupy the Future stage is being created by DC’s Floating Lab Collective. Their design takes inspiration from Michelangelo’s Sistine Chapel, reimagining the visual metaphors for social progress found in the great Renaissance work as key figures, movements and symbols of contemporary social change. Created specifically for the historic Lincoln Theatre, the design will celebrate Pussy Riot, Occupy, Hong Kong’s Umbrella protests, Black Lives Matter, the three finger salute in Thailand, and others acts of resistance from around the world.
CATCHING THE AXIS –
Between the Sky and the Earth
Dates: 22 August – 20 September 2016
LAM 360° is a biennial art festival located in Mongolia. LAM focuses on Land Art as a form of spatial visualization of the relations between nature, culture and social policies.
N. Amarsaikhan (Mongolia), D. Batkholboo (Mongolia), R. Chinzorig (Mongolia), T. Enkhbold (Mongolia), G. Enkhjargal (Mongolia), Lkh. Gankhuyag (Mongolia), M. Munguntsetseg (Mongolia), B. Munhksetseg (Mongolia), Lisa Batacchi (Italy), Edgar Endress (Chile/USA), Zhen + Qiang Gao (China), Severin Guelpa (Switzerland), Erica Masuya (Japan), Pekka Niityvirta (Finland), Camille Norment (Norway/USA), Romina Novellis (Italy), Benjamin Sabatier (France), Marc Schmitz (Germany), Jacek Tylicki (Poland/USA), Herman de Vries (Netherlands/Germany), Mabelle Williams (Haiti).
Art Radar Journal / link
BOZAR / CENTRE FOR FINE ARTS / Brussels, Belgium
Cities in both Latin America and in Europe have become major global actors and strategic territories where tremendous social, political, economic, environmental and cultural changes are currently taking place. Both the EU and Latin America witness a myriad of public and private examples to regenerate public spaces and local communities. In that framework, culture and creativity can offer new perspectives and alternatives to challenges raised by social exclusion and urban development. This debate will discuss how the EU and Latin America can jointly address these issues to forge more inclusive and resilient cities.
The open debate follows a one-day experts’ seminar at BOZAR organized, jointly with Interarts, in the framework of the EU project ‘Culture and arts supporting social cohesion in Latin American cities - LAIC’ funded by the European Commission.
- Introduction by Paul Dujardin, BOZAR CEO, and Stefano Manservisi (TBC), Director General, DG DEVCO
- Carlos Uribe : Architect, cultural operator and historian, Colombia
- Edgar Endress : Artist, Chile/USA
- Myriam Stoffen : Director of Zinneke, Belgium
- Matteo Ferroni : Architect, Italy
Moderator: Mercedes Giovinazzo, Interarts
Strange Landscapes is co-curated by Blair Murphy, independent curator and partner at Field Projects in New York, and Karyn Miller.
Opening: June 25 - October 2
Hyperallergic review by Alexis Clements / link
City Paper review by Erin Devine / link
The Creator Project blog / review
Washington Post Review / link
I will have the video: "How to Make it Rain" and the series of Prints "Santos" as part of the exhibit.
Photos by: Dawn Whitmore
AN INITIATIVE TO GROW A CREATIVE ECONOMY
APRIL 7 2016
This event, hosted by Second Stage Amherst, is to discuss opportunities and tools available to cultivate Amherst’s economy based on the region’s natural, creative, cultural and human assets, driving economic opportunities in our community.