Project commissioned by the Goethe Institute DC

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DICTIONARY OF MARX: A MULTIMEDIA BIRTHDAY ANNIVERSARY

https://www.goethe.de

Curated by John Feffer

On May 5th, Marx’s 200th birthday, the one-time-only multimedia experience, Dictionary of Marx, gives you the chance to reencounter the work of the German economic philosopher Karl Marx. A dozen of Washington, DC’s most engaging presenter-performers will come together at the Capital Fringe Theatre responding to key words from the Marxist lexicon in a series of artistic interpretations.

Revolution/ A collaborative effort

Concept: 

  • Edgar Endress
  • Henry Mills
  • Silvana Straw

Performance:

  • Henry Mills

Video production

Camera:

  • Hatum Cesar Saenz Painemilla

Production:

  • Layla Alshaer
  • Jennifer Crewalk

Panel Moderator / Challenging Colonialism in Contemporary Art

Mexican Cultural Institute, Washington DC

 Wednesday, March 21st


PANEL OVERVIEW: Transformer continues our ongoing FRAMEWORK Panel Series with FRAMEWORK Panel #27: Challenging Colonialism in Contemporary Art. This panel will highlight emerging artists challenging commonly held notions of how their identities have been defined through colonialism, history, and popular culture. 

This panel is presented in conjunction with Transformer’s Spring exhibition, Queer Tropics - a group exhibition that considers the abstract idea of the tropics and how that vision has been variously created, reinforced, and confronted. Originally opened in November 2017 at Pelican Bomb Gallery X in New Orleans, Queer Tropics features artworks that examine the visual and cultural systems through which one imagines the landscape of the tropics as a site of leisure, sensuality, and play.

 PANELISTS:

 Carlos MottaAdrienne TarverDulcina Abreu, Hoesy Corona

 

Participating in Transcultural Exchange / Quebec CA

Making Public Art Now
Location: Morrin Centre’s College Hall, Quebec Canada
Moderator: Sarah Tanguy, Curator for the Art in Embassies, U.S. Department of States, Independent Curator and Arts Writer
Tom Ashcraft, Artist and Founding Member of the Workingman Collective
Tara Lapointe, Director of Outreach and Business Development, Canada Council for the Arts
Ashley Molese, Curator, Creative Producer and Festival Manager
Edgar Endress, artist George Mason University

FRIDAY, FEBRUARY 23rd, 2018

http://transculturalexchange.org

project / series nº1: the Institution of Oblivion at Molaa/Getty Pacific Standar Time program

A collaboration between Adler Pierre, Calicien Banel, Office of Human Rights Haiti and Edgar Endress with incarcerated Haitians.

Relational Undercurrents: Contemporary Art of the Caribbean Archipelago, curated by Tatiana Flores, is MOLAA’s Pacific Standard Time: LA/LA exhibition

September 16, 2017 - February 25, 2018

Links:

Museum Of Latino American Art (MOLAA)

Pacific Standard Time: LA/LA

Read an overview of the exhibition by Julia P. Herzberg in Arte Al Dia:

And additional articles:

http://artishockrevista.com/2017/10/17/tatiana-flores-relational-undercurrents-caribe/

http://palaciomagazine.com/tatiana-flores/

http://www.dailynews.com/2017/09/12/everything-you-need-to-know-about-pacific-standard-time-lalas-celebration-of-latin-american-and-latino-art-culture-and-music/

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Project The Mask of Shoeshiner and Hotel Las Americas in exhibit Duty of Care

CAI / The Collective Arts Incubator

The Collective Arts Incubator is present Duty of Care, a group exhibition in various media by an international trio of artists; Max King Cap (USA), Edgar Endress (Chile), and Nuttaphol Ma (Thailand). Examining our social and political obligations to our fellow citizens—and the manifold ways in which we shirk this duty—the artists in Duty of Care document, enact, and embody our responsibilities and failings.

Organized by Jennifer Vanderpool and Ciara Ennis

https://collectiveartsincubator.com

The Mask of Shoeshiner documents / link project 

The Mask of Shoeshiner documents / link project

 

Hotel Las Americas / mapping violence (beta map in collaboration with Victoria Sacco) / project link

Hotel Las Americas / mapping violence (beta map in collaboration with Victoria Sacco) / project link

project Santos at Peale Museum

Birdland and the Anthropocene Exhibition curated by Lynne Parks

October 6-29, 2017

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In this group show at The Peale and related programs in Baltimore’s schools and communities, curator and Baker Prize-winning artist, Lynne Parks, invites us to consider how our city’s architecture and the built environment impact the natural ecosystems in the Anthropocene, the new geological era in which human activity has dramatically altered the Earth through climate change and other influences.

links:

Peale Museum link

Review / Bmoreart.com

Review / The Darkroom, the photography and video blog of The Baltimore Sun.

Download catalog / link

FUSO 2017 ANUAL DE VÍDEO ARTE INTERNACIONAL DE LISBOA 22 a 27 AGOSTO de 2017

Video " How to Make it Rain", curated by Jorge La Ferla

FUSO 2017
ANUAL DE VÍDEO ARTE INTERNACIONAL DE LISBOA-Portugal
22 a 27 AGOSTO de 2017

Programa Jorge La Ferla
. Diego Lama (Peru) | The Act, 2012, 3´36´´
. María Paz Encina (Paraguai) | Familiar, 2014. 9´
. Gerardo Suter (Argentina/México) | Caja Negra, 2017, 8´30´´
. Edgar Endress (Chile) | Como hacer llover, 10´
. Claudia Aravena Abughosh (Chile) | Once de septiembre, 2002, 5´30´´
. Florencia Levy (Argentina) | Paisaje para una persona, 2014, 8´16´´
. Alfredo Salomón (México) | Tensa Calma, 2008, 8´31´´
. Andrés Denegri (Argentina) | Uyuni, 2008, 8´18´´

Project Santos at Rivermont Studio, Lynchburg VA

A multidisciplinary project that address issues of representation: colonialism, post-colonialism, race and power. "Santos" subvert found debris that were originally manufactured to frame an idea of the "other", using an interpretation of the "mestizo Baroque" as reference of re claiming narrative. 

Feb 4 to March 12

Collaborative Book // The History of Black Rice and Princess Pig

Edgar Endress /Lori Lee/ Chris Rackley (drawings)

At the Badischer Kunstverein, Karlsruhe, Germany

13.12.2016–08.01.2017
Opening: Sunday, 11 December, 5pm

Exhibition // Editions 2016/2017

Henri Chopin, Danica Dakić, Edgar Endress/Lori Lee/Chris Rackley, Noa Eshkol, Nilbar Güreş, Rana Hamadeh, Dóra Maurer, Hansjörg Mayer, Falke Pisano, Hannah Weinberger

The editions will be presented from 13 December 2016 until 8 January 2017 at the Badischer Kunstverein, Karlsruhe. The editions are available for purchase to members of the Badischer Kunstverein.

Page from book

Page from book

Participation in LAM / Land Art Mongolia Biennial

CATCHING THE AXIS –
Between the Sky and the Earth

Dates: 22 August – 20 September 2016

LAM 360° is a biennial art festival located in Mongolia. LAM focuses on Land Art as a form of spatial visualization of the relations between nature, culture and social policies.

ARTISTS

N. Amarsaikhan (Mongolia), D. Batkholboo (Mongolia), R. Chinzorig (Mongolia), T. Enkhbold (Mongolia), G. Enkhjargal (Mongolia), Lkh. Gankhuyag (Mongolia), M. Munguntsetseg (Mongolia), B. Munhksetseg (Mongolia), Lisa Batacchi (Italy), Edgar Endress (Chile/USA), Zhen + Qiang Gao (China), Severin Guelpa (Switzerland), Erica Masuya (Japan), Pekka Niityvirta (Finland), Camille Norment (Norway/USA), Romina Novellis (Italy), Benjamin Sabatier (France), Marc Schmitz (Germany), Jacek Tylicki (Poland/USA), Herman de Vries (Netherlands/Germany), Mabelle Williams (Haiti).

http://www.landartmongolia.com/

Art Radar Journal / link